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1. SATOSHI KAMIYA WASP 2.6 DIAGRAM HOW TO
2. SATOSHI KAMIYA WASP 2.6 DIAGRAM SKIN
3. SATOSHI KAMIYA WASP 2.6 DIAGRAM FULL
4. SATOSHI KAMIYA WASP 2.6 DIAGRAM SERIES

It’s a fairly simple model, but the crease pattern is not. It’s 3D, has a textured shell, and even has a matching textured belly.Ĭhallenge 24 in issue 78 is Seiji Nishikawa’s Sheep. Not “more like a turtle” better, more “like an adorable cartoon” better. You’re supposed to thin the head out so that it’s longer and narrower than mine, but I thought he looked better this way. Unfortunately, I don’t remember much about folding him, other than the head. I’ve made a few of these, and this one is from awhile ago. So, the group posted on the same day spans Crease Pattern Challenges from 27 (this one) back to 19 – Satoshi Kamiya’s Tetrahedron.Ī Loggerhead Sea Turtle by Satoshi Kamiya is Crease Pattern Challenge 27. I considered posting in reverse order (so you could just scroll down to the last one), but that would mess up the order by tag sorting. I already had quite a few of the next ones done, so there were only a couple of gaps. I’ve been having trouble keeping up with entries here, so I figured I could do a lot of the crease pattern challenges at once.

Janusonwukong Tagged ゴジラ, Godzilla, monster, origami, 怪獣 1 Comment I mean, I think that’s the original place for the Shin Gojira, but I don’t understand the Twitter. There are now a couple of really good ones out there, such as Kade Chan’s and a model based on Shin Gojira found here by Zenigami Danshaku. Really though, I actually hadn’t looked for Godzilla in origami for a long time.

SATOSHI KAMIYA WASP 2.6 DIAGRAM SKIN

The second has the seams spread out to make glowing orange skin sections on the body like in Godzilla vs. Then I made a couple more Godzillas with some slight changes to bulk him out and make a more rounded head. Next I shifted the plates around a bit for this Godzilla. I couldn’t figure out exactly where to put the spines, so this was the initial model. I hadn’t seen too many Godzilla origami models (see last paragraph) and found a good base just messing around. Anyway, Legendary has already thought of this, making their King Kong, from Skull: Kong Island, almost laughably gigantic. I guess it was a different Kong than the one in the 1933 King Kong movie, who died, but still. I was always bothered by Godzilla being so much bigger than Kong, except when they meet.

SATOSHI KAMIYA WASP 2.6 DIAGRAM SERIES

Godzilla, the third entry in the original Godzilla film series from 1963. They seem to be on track to essentially remake King Kong vs. The most recent projects are Shin Gojira (which is spectacular) and Legendary Pictures’ Godzilla-Kong film universe series thing. If you don’t know who Godzilla is, he has his own wiki here for him and his friends. I like to start these entries with some random stuff about the model subject, but I’m going to try to keep this limited.

One of these is Godzilla and Godzilla movies. There are also photos of other designer's works, without crease-patterns.There are some things I can talk on and on about to people’s annoyance. The book opens with a gallery of designs, with tiny crease-patterns for Kamiya's, Hideo Komatsu's and Hojyo Takashi's works. This part concludes in an in-depth analysis of the Ryujin 3.5 crease-pattern, which is included in the beginning of the book. Part 3: Advanced Techniques - delves into wet-folding, back-coating and making tissue-foil, understanding crease-patterns and showing some theories.

SATOSHI KAMIYA WASP 2.6 DIAGRAM HOW TO

Part 2: Practice - shows how to cut paper, make accurate creases, handle more complex moves, allow for paper-thickness in folding, and examines display techniques such as shaping, strengthening the model with glue and using wire for display. Part 1 : Basics - discusses tools needed for folding (from rulers to tweezers, clips, display tools, wet-folding essentials etc.), describes different types of papers, and explains the basic symbols. As all this text is in Japanese I cannot make much of it, but everything is accompanied with many drawings and photos which give insights to the meaning of the text. What the book is about is the process of folding, techniques, crease-pattern interpretation etc.

SATOSHI KAMIYA WASP 2.6 DIAGRAM FULL

The few full diagrams in it have actually already been published before, albeit in hard-to-find sources. Satoshi Kamiya's new book is not a typical diagram book.